heritage series
Ancient techniques, contemporary spirit.Kurinuki
Sgraffito
Terra lumina
Unfinished sympathy
craft, memory, meaning...
This series is our tribute to cultural heritage — both local and global. Through it, we aim to preserve and celebrate traditional know-how, while demonstrating how these time-honored processes can shape the design of today. Every piece is a dialogue between past and present, carrying forward the legacy of our ancestors in new and meaningful ways.
Special collection for Black Sea Catch
Created every year for St. Nicholas Day — the traditional day to honor the patron saint of the sea and enjoy a fish-based feast — this special series celebrates maritime heritage through contemporary design.
Each plate is handmade and one of a kind, using the sgraffito technique. This year’s edition features two artistic lines: abstract sea-inspired forms and stylized fish motifs, all engraved by hand on porcelain. A tribute to tradition, reimagined for modern tables.
Quantities are limited.
cups made from wild clay
Some people relax by the sea. Others dig clay.
There are crafts where the work ends when the weekend begins. Ceramics is not one of them.
Many ceramicists find it impossible to truly switch off — even on holiday. Rest, for them, doesn’t mean stillness. It means space to create with no pressure. It means hands in the earth. It means looking at the coastline not for views, but for veins of clay hiding beneath the sand.
This collection was born exactly like that — during a quiet escape to the remote shores of Dourankulak, where the steppe meets the Black Sea. In this landscape, the sandy soil slowly releases a wild, unrefined clay. It was gathered with minimal tools, shaped in moments of stillness, and later completed in the studio.
The pieces are small, sculptural, and raw. Unglazed on the outside to preserve the natural texture of the terracotta, each one is formed using the ancient pinching technique and glazed only on the inside — creating a contrast between the earth and a burst of color within.
These objects reflect more than craft. They speak of instinct, of obsession, of a quiet need to keep shaping — even while resting. Ceramics, after all, is not just a profession. It’s a way of being in the world.
